| Nicholas Meyer | |
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Meyer at the Air Force Film Festival in Los Angeles at the Academy of Television Arts & Sciences (November 14, 2008) |
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| Born | December 24, 1945 New York City, New York, United States |
| Occupation | Screenwriter, film producer, film director, and novelist |
| Website | |
| http://nmeyer.pxl.net/ | |
Nicholas Meyer (born December 24, 1945 in New York City, New York) is an American screenwriter, producer, author, and director, most known for his best-selling novel The Seven-Per-Cent Solution, and for directing the films Time After Time, two of the Star Trek feature film series, and the 1983 television movie The Day After.
Meyer graduated from the University of Iowa with a degree in theater and filmmaking.
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Meyer first gained public attention for his best selling 1974 Sherlock Holmes novel The Seven-Per-Cent Solution, a story of Holmes confronting his cocaine addiction with the help of Sigmund Freud. Meyer followed this with two additional Holmes novels: The West End Horror (1976), and then The Canary Trainer (1993).
The Seven-Per-Cent Solution was later made into a 1976 film of the same name, for which Meyer wrote the screenplay. The film was directed by Herbert Ross and starred Nicol Williamson, Robert Duvall, Alan Arkin, and Laurence Olivier. For his work adapting the novel, Meyer was nominated for an Academy Award for Best Adapted Screenplay at the 49th Academy Awards.
Intrigued by the first part of college friend Karl Alexander's then-incomplete novel Time After Time, Meyer optioned the book and adapted it into a screenplay of the same name, consenting to sell the script only if he were attached as director. The deal was optioned by Warner Bros., and the film became Meyer's director debut. Meyer freely allowed Alexander to borrow from the screenplay and the novel was published at about the same time the movie was released. Time After Time (1979) starred Malcolm McDowell, Mary Steenburgen, and David Warner, and was a success with both critical reception and in box office returns.[1]
At the behest of then Paramount executive Karen Moore, Meyer was hired to direct Star Trek II: The Wrath of Khan.[2]
Meyer later directed the 1983 television film The Day After, starring Jason Robards, JoBeth Williams, John Cullum, Bibi Besch, John Lithgow, and Steve Guttenberg, which depicted the ramifications of a nuclear attack on the United States. Meyer had originally decided not to do any television work, but changed his mind upon reading the script by Edward Hume. For his work on The Day After, Meyer was nominated for an Emmy Award for Best Director. Afterward, he also directed "The Pied Piper of Hamelin", a 1985 episode of the television series Shelley Duvall's Faerie Tale Theatre.
He resumed directing theatrical films with the 1985 comedy Volunteers, starring Tom Hanks and John Candy. After directing Volunteers, Meyer returned to working on Star Trek, co-wroting the screenplay for Star Trek IV: The Voyage Home (1986) with producer Harve Bennett. Meyer's next directing job was the 1988 Merchant Ivory produced drama The Deceivers, which starred Pierce Brosnan as British officer William Savage. Meyer later wrote and directed the 1991 spy comedy Company Business, which starred Gene Hackman and Mikhail Baryshnikov as aging American and Russian secret agents. In 1991, Meyer once again returned to the world of Star Trek, co-writing and directed Star Trek VI: The Undiscovered Country, which became a swan song for the original cast.[3]
In recent years Meyer adapted the Philip Roth novel The Human Stain for the 2003 film of the same name. In 2006, he teamed with Martin Scorsese to write the screenplay for Scorsese's adaptation of Edmund Morris's Pulitzer Prize winning biography of Theodore Roosevelt, The Rise of Theodore Roosevelt. The story traces the early life of Roosevelt, originally a weak and asthematic young boy born to privilege but dedicated to personal achievement, political reform, and the heroic ideal.
Meyer, along with writer/producer Harve Bennett, is one of two people credited with revitalizing and perhaps saving the Star Trek franchise after the problems of the first film, Star Trek: The Motion Picture, almost caused Paramount Pictures to end the series. Paramount had been unhappy with the creative direction of the first film, as well as the cost overruns and production problems. However, the film was also a great financial success, and they wanted a sequel. Bennett, a reliable television producer, was hired to help.
Introduced to Bennett by Paramount executive Karen Moore, Meyer was hired as a potential director for Star Trek II: The Wrath of Khan despite never having seen the show.[4]:96 Due to problems with the early drafts of the script, with which no one had been happy, he almost immediately became involved in re-writing the film's screenplay. After meeting with Bennett and other members of the cast and crew regarding the script, Meyer impressed Star Trek's actors and producers by delivering a superior draft of the script in only twelve days. The draft had to be completed so quickly, in fact, that Meyer agreed to forgo the negotiation of a contract or credit for his writing in order to begin work on the script immediately. This is why he is uncredited as a writer on the final film.
Meyer then directed the film, making stylistic alterations, such as adding more of a naval appearance. Meyer and Bennett together created a film that was engaging while also reducing costs and avoiding the production fiascoes of the first film. The Wrath of Khan became a financial success, grossing $78 million in the domestic market, and is considered by many to be the best Star Trek film to date.[5]
Although he "refuse[d] to specialize" and so vowed to not work on another Star Trek project,[6] Meyer subsequently co-wrote the screenplay for the fourth Star Trek film, Star Trek IV: The Voyage Home with Bennett. For that film, Bennett wrote the first and fourth acts which occur in the 23rd century and Meyer wrote the second and third acts which occur in 1986 San Francisco. Meyer has stated that one of the most enjoyable aspects of working on this film was getting the chance to re-use elements that he had been forced to discard from his earlier film, Time After Time. Star Trek IV proved to be successful financially,[7] notable for being successful among general moviegoers as well as science fiction and Star Trek devotees.
Meyer worked for the Star Trek franchise again for the sixth film in the series, Star Trek VI: The Undiscovered Country (1991). He developed the story with Leonard Nimoy and co-wrote the screenplay with long-term friend and assistant Denny Flinn. He directed the picture, which was the final film to feature the entire classic Star Trek cast. This film was again successful financially, grossing $74 million in the domestic market.[8]
Meyer has three daughters; Rachel (changed name to Dylan), Madeline and Roxanne, with his ex-wife Stephanie. The family resides in Los Angeles.
| Year | Title | Job | Notes |
|---|---|---|---|
| 1973 | Invasion of the Bee Girls | Writer | |
| 1974 | Judge Dee and the Monastery Murders | Writer (screenplay) | TV film |
| 1975 | The Night That Panicked America | Writer (screenplay) | TV film |
| 1976 | The Seven-Per-Cent Solution | Writer (novel/screenplay) | Nominated — Academy Award for Best Adapted Screenplay Nominated — WGA Award for Best Drama Adapted from Another Medium |
| 1979 | Time After Time | Director/Writer (screenplay) | Won — Avoriaz Fantastic Film Festival Antenne II Award Won — Avoriaz Fantastic Film Festival Grand Prize Won — Saturn Award for Best Writing Nominated — Edgar Allan Poe Award for Best Motion Picture Screenplay Nominated — Hugo Award for Best Dramatic Presentation Nominated — Saturn Award for Best Direction Nominated — Saturn Award for Best Science Fiction Film |
| 1982 | Star Trek II: The Wrath of Khan | Director/Writer (screenplay - uncredited) | Won — Saturn Award for Best Direction Nominated — Hugo Award for Best Dramatic Presentation |
| 1983 | The Day After | Director | TV film Won — Golden Screen Award Nominated — Primetime Emmy Award for Outstanding Directing in a Limited Series or a Special Nominated — Primetime Emmy Award for Outstanding Drama/Comedy Special |
| 1985 | Faerie Tale Theatre | Director/Writer (screenplay) | TV series, episode "The Pied Piper of Hamelin" |
| Volunteers | Director | ||
| 1986 | Star Trek IV: The Voyage Home | Writer (screenplay) | Nominated — Saturn Award for Best Writing |
| 1988 | The Deceivers | Director | |
| 1991 | Company Business | Director/Writer | |
| Star Trek VI: The Undiscovered Country | Director/Writer (screenplay) | Won — Saturn Award for Best Science Fiction Film Nominated — Hugo Award for Best Dramatic Presentation Nominated — Saturn Award for Best Writing |
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| 1993 | Sommersby | Writer | Won — Spur Award for Best Motion Picture Script |
| 1995 | Voices | Writer | |
| 1997 | The Informant | Writer (screenplay) | TV film Won — PEN Center USA West Literary Awards for Best Teleplay |
| 1999 | Vendetta | Director | TV film |
| 2002 | Fall from the Sky | Writer | TV film |
| 2003 | The Human Stain | Writer (screenplay) | |
| 2006 | Orpheus | Writer | TV film |
| 2008 | Elegy | Writer (screenplay) | Nominated — Satellite Award for Best Adapted Screenplay |
| 2009 | The Hessen Conspiracy | Writer |
| Year | Title | Notes |
|---|---|---|
| 1970 | The Love Story Story | Non-fiction |
| 1974 | Target Practice | |
| The Seven-Per-Cent Solution | ||
| 1976 | The West End Horror | |
| 1978 | Black Orchid | Co-Wrote with Barry J. Kaplan |
| 1981 | Confessions of a Homing Pigeon | |
| 1993 | The Canary Trainer | |
| 2009 | The View From the Bridge: Memories of Star Trek and a Life in Hollywood | Non-fiction |
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